Oct 27

IRISH IDENTITY: Who Do We Think We Are?


 DNA sequences and human reproduction provide a new scientific base for defining identity here




What Others Are Saying About the Series

“… a valuable–and provocative–challenge to the dominant narrative”

The Little Museum @dublinmuseum

“Fascinating Website”

Non-Stop Connolly @NonStopConnolly

“… a good read”

Staten Ireland Fair @StatenIreland

“A great series of articles …”


NOTE The average session duration for this website is 6.2 minutes (9.2 minutes Ireland)

Shelter and Shadows is the Editor’s Books Selection (Irish Roots Magazine) for final quarter 2016


Purchase Shelter & Shadows here

Sep 01

Identity Articles

A forgotten native urban society in the 1950

Native urban identity

Overview …

The Identity Series explores our common (universal) identity. Ireland is the initial focus because the Series draws its inspiration from Shelter and Shadows by Raymond Keogh here.

However, Ireland is merely a backdrop and helps to illustrate the main discussion about the meaning of “identity”.

The Series begins with clashing traditions. It may be the accidental collision of potent national symbols (e.g. Irish v. Anzac in article #1 here). Or it may be internal conflicts at the individual level that arise as a result of incompatible inherited cultural memes (article #5).

Messy Cultural Entanglements 

The Series acknowledges that we are dealing with messy cultural entanglements—be they at the individual, national or international levels.

The young Irish State simplified the process and opted for a culturally pure nation based on an inflated sense of connectivity of all Irish men and women to Gaelic Ireland. This resulted in an outlandish sense of identity (articles #2 & 3). Shelter and Shadows cautions that it is indeed wise to be skeptical of easy solutions (article #4).

A Potent Force

Articles #6 and #7 deal with the sub-culture out of which Shelter and Shadows arose: The Dublin native middle-class. However, it was not recognised in Irish history, despite the fact that James Joyce was its prime representative in terms of artistic cultural expression (article #8).

The native urban middle-class had deep roots in traditional Gaelic culture (articles #9). And Gaelic Ireland, in turn, was the source of powerful Celtic symbolism, imagery, myths and legends which succeeded in gathering about them the men and women who ignited the Irish independence movement.

In article #10 it was postulated that part of the reason why the Celtic milieu was so potent a force related to the connectivity it evoked between contemporary society and its primordial roots in the unspoiled environment of the Irish landscape.

Could it be that human identity is best understood and defined within pristine biological environments in which primeval societies are embedded? This theory was untested. Articles #11 and #12 explain how the desire to confirm the hypothesis morphed into an expedition to the Orinoco River in Venezuela.

The outcome of the expedition was surprising. It became clear that we cannot arrive at a true definition of identity if any factor—past or present—that contributes to our makeup, is omitted. This prompted Raymond to face the thorny problem of his hybrid identity (articles #13 and #14 here) which led to a more basic question: what is identity? (articles #15 and #16 here). An objective definition of identity is provided in article #17 here. In article #18 personal identity is explored here. #19 examines identity and ethnicity here; #20 looks at race here; #21 deals with culture here

Article #5 stated that the ultimate identity partition is within the mind. Article #22 indicates how such partitions can be resolved here.

Article #23 calls for us to move beyond “identity politics” as a means to diffuse current tensions within western society here

Article #24 is a call for exclusive objectivity in the use of the word Identity here

Article #25 shows that the new concept of identity is an antidote to an age of anxiety here

Article #26, the final of the Series, looks at the topic from a scientific perspective here

Apr 30

Who was Gerald Keogh?

Who was Gerald Keogh after whom the Series is Named?

Gerald Keogh

Volunteer Gerald Keogh


Irish Volunteer Gerald Keogh was killed at dawn on Easter Tuesday 1916 by Anzac troops defending Trinity College Dublin. His eldest brother, J. Augustus Keogh—who lived in London where he was stage manager at the Royalty Theatre—on hearing of his brother’s death, immediately made moves to return home. He convinced W. B. Yeats and Lady Gregory that he was well qualified to become manager of the Abbey Theatre in the aftermath of the troubles and, indeed, the troubles which the Abbey had with its former manager, St John Ervine.

Being an aficionado of G. B. Shaw, J. Augustus gave this playwright a valuable theatrical presence in Dublin after Shaw had criticised the execution of the 1916 Irish leaders. Shaw’s box-office appeal in England slumped but Dublin audiences were swamped with his works.

This is how an Anzac bullet came to boost Shaw’s theatrical presence in Dublin in 1916.

Our Facebook Page also carries more about this little-know story of the Easter Rising.

A photo of J. Augustus is shown (below left). Also shown is a photo of Michael McHugh (Anzac sharpshooter—of Irish descent) who was among the troops that gunned down Gerald in Grafton Street.

Joseph A Keogh eldest brother of Gerald Keogh

J. Augustus Keogh



McHugh allegedly killed Gerald Keogh

Michael McHugh

The poignancy of Gerald’s death is captured in the song Digger in Dublin composed by songwriters Kevin McCarthy and Geoff McArthur in which Mick McHugh laments his part in the killing of Gerald.

LISTEN below:







1916: Incredible meeting as families on opposite sides reconcile after 100 years at the foot of Grafton Street

(24/04/16. No Repro Fee) *** Easter Rising Families Reconcile after 100 Years *** Patrick McHugh born in Cairns, North Queensland, Australia and Raymond Keogh from Bray, County Wicklow met at Trinity College today 23rd April in advance of the unveiling of a plaque by Dublin City Council (on Monday 25th April 2016) to commemorate the death of Irish Volunteer Gerald Keogh, Raymond’s grand-uncle, who was shot outside Trinity College on 24th April 1916, reputedly by Australian soldier (Anzac trooper) Mick McHugh, great-great-uncle of Patrick, during the Easter Rising 1916. Irish Volunteer Gerald Keogh and Australian trooper Mick McHugh were both young soldiers of the same age (22) but on opposite sides in the 1916 Rising. Mick was ordered to defend Trinity College during Easter week. Mick is reputed to have killed Gerald while the Irish Volunteer was carrying out direct orders from Patrick Pearse. PICTURED: Patrick McHugh and Raymond Keogh meet for the first time in front of the tower in Trinity college where it is alleged that Patrick's great great uncle shot Raymond's grand-uncle outside Trinity College on 24th April 1916. PIC: Joe Keogh.

Patrick McHugh born in Cairns, North Queensland, Australia (left) and Raymond Keogh from Bray, County Wicklow (right) met at Trinity College Dublin (TCD) where their relations were involved in fatal combat on opposing sides of the 1916 Rising.

Raymond’s grand-uncle Irish Volunteer Gerald Keogh was shot at the foot of Grafton Street outside TCD on 25th April 1916 (Anzac Day) reputedly by Australian trooper (“Digger”) Mick McHugh, great-great-uncle of Patrick.

Mick was ordered to defend TCD during Easter week and is reputed to have killed Gerald while the Irish Volunteer was carrying out direct orders from Patrick Pearse. Full story here

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